Panayiota A. Demetriou

(a.k.a Yiota)

List of Publications

Ph.D Thesis (University of Bristol)

2011 – 2015 Title: An Exhibition of Hidden Stories: Investigating Approaches of Staging Oral History Archives

MA by Research Thesis (University of Hull)

2010 – 2011 Title: Young Voices: An Applied Theatre Project Aiming to Bridge the Gap Between Youth and Adults

BOOK CHAPTER PUBLICATIONS

  • Panayiota A. Demetriou, ‘Remembering Performance Through Oral History’, in Documenting Performance: The Context and Processes of Digital Curation and Archiving, (ed. Toni Sant), (USA – UK: Bloomsbury Methuen Drama, 2017)

PEER REVIEWED JOURNAL PUBLICATIONS

  • Panayiota A. Demetriou, Crossing Contested Borders: Quid pro quo (2011) – a performance act embodying the conceptual and material significance of women’s experience of the divide, in Platform: Journal of Theatre and Performing Arts, Vol. 10 No.2: Theatre and Crisis (Spring 2017).
  • Panayiota A. Demetriou, An Exhibition of Hidden Stories: The Young Voices Soundscape – Examining Sound and Silence as a Collective Experience in Sound Art Installation, in HARTS & Minds: The Journal of Humanities and Arts, Vol.1 No.4 (Spring 2014).
  • Panayiota A. Demetriou, Έκθεση Κρυφών Ιστοριών (Greek) [An Exhibition of Hidden Stories], (p.14-17), in Eleutheras Voskis Journal, (Cypriot Ministry of Culture and Education, 2013).

CONFERENCES ATTENDED

  • 2016 CFP -The Performance of the Real Research ThemePerforming Precarity: Refugee Representation, Determination and Discourse – The University of Otago, Dunedin, New Zealand. 

Paper Title: Crossing Contested Borders: Quid pro quo (2011) – a performance act embodying the conceptual and material significance of women’s experience of the divide

  • 2016 Imaginaries of the Future Symposium 4: Utopia at the Border  –  University of Regensburg.

Paper Title: Crossing Contested Borders: Quid pro quo (2011) – a performance act embodying the conceptual and material significance of women’s experience of the divide

  • 2016 TaPRA: Documenting Performance – University of Bristol

Paper Title: Remembering Performance through Oral History

  • 2016 i-Docs, Watershed – UWE, Bristol.

The Dress from Love Letters: Wearing the stories told (Audience-participatory Performance Sound Installation).

  • 2014 PSi 20 Avant-garde, Tradition and Community – Shanghai Theatre Academy. 

PSi Oral Histories – Performing the Memory of the Field (Audience-participatory Performance Sound Installation)

  • 2013 PSi 19 Now, Then: Performance and Temporality – University of Stanford.

Panel Title: Re-encountering the Archive – Performance in times to come from times gone by.

Paper Title: Unstable Timeline – Social Platforms of Self-Archivization and Performing the self through Curation.

  • 2013 Performing Documents Conference – University of Bristol and Arnolfini.

Performance Lecture: An Exhibition of Hidden Stories – Love Letters.

  • 2012 TaPRA: Documenting Performance – University of Hull, Scarborough Campus.

Presentation: An Exhibition of Hidden Stories – Research into Methods of Staging Oral History Archive.

  • 2012 CADRE Research Student Conference 2012: On Performativity – University of Wolverhampton.

Paper Title: Verbatim Theatre or Oral History Theatre?

PUBLISHED PRACTICE AS RESEARCH (PERFORMANCE)

  • 2016/2017 Crossing Borders (Performance project [in process])
  • 2016 i-Docs (Bristol)

The Dress from Love Letters: Wearing the stories told (Audience-participatory Performance Sound Installation).

  • 2015 Latitude Festival – Tempting Failure (UK)

An Exhibition of Hidden Stories: Love Letters (Audience-participatory Performance Installation)

  • 2014 Shanghai Theatre Academy

PSi Oral Histories – Performing the Memory of the Field (Audience-participatory Performance Sound Installation)

  • 2014 University of Bristol

An Exhibition of Hidden Stories: The Lives of Others (Audience-participatory Performance Sound Installation)

  • 2013 Performance and Live Art Platform (Cyprus – Nicosia)

An Exhibition of Hidden Stories: Love Letters (Audience-participatory Performance Installation)

  • 2013 University of Bristol

An Exhibition of Hidden Stories: The Young Voices Soundscape (Audience-participatory Performance Sound Installation)

  • 2013 Tempting Failure Performance Festival (Bristol)

An Exhibition of Hidden Stories: Love Letters (Audience-participatory Performance Installation)

  • 2012 Performance and Live Art Platform (Cyprus – Larnaca)

An Exhibition of Hidden Stories: Love Letters (Audience-participatory Performance Happening)